2021 – 2025
Imaginations of Venice

Imaginations of Venice


Venice was and is being copied and reproduced manifold: casinos from Las Vegas to Macao, theme parks in China, all the way to the many Venezia ice cream parlours (Bürkle 2002) that sprung up in the wake of Italian migration in small and medium-sized German cities. The copies and reproductions imagine, vary and scale fragments of the Serenissima just as Marco Polo’s fictional travel reports from the invisible cities (Calvino 1977[1972]).

Venice offers a projection surface for diverse spatial imaginaries, therefore it is very well suited as a case study for Stefanie Bürkle’s artistic research project (in the context of the collaborative research center of the TU, HU, FU Berlin CRC 1265 Re-Figuration of Spaces), as it links the artistic discourse around image, ideal-image, after-image (copy) and perceived-image with the discourse around reconfiguration in the social sciences on different levels. Stefanie Bürkle has already addressed different imaginaries of Venice in her work, through photographic series such as Eiscafé Venezia in Germany and Window of the World in Shenzhen, China. In occasion of the project, new artistic work on this theme (photography, video, and painting) will be created.

Venice: goods, images, tourism, and consequences

The circulation of goods (trade), images and people has been the defining element of the city of Venice since its foundation. After Corona, which on the one hand represented a “recovery” for Venice, but on the other hand, just like the flood in 2019, an existential crisis, the aggravation of the spatial consequences and of the spatial conflicts brought along by over-tourism and gentrification, among other things, is now becoming more evident than ever.

In Venice, tourist behavioral patterns exist in dealing with the ever same reproduced image of the city, but also a multi-layered, spatial and temporal overlapping of tourism, migration and residents.

Imaginations of Venice will artistically and visually investigate contemporary phenomena of Venice (and its copies). Stefanie Bürkle’s project is, in the broadest sense, an exploration of travel and of the appropriation of imaginations of the foreign and thus of the known. Behavioral patterns at tourist sites in Venice and its replicas in Las Vegas, Macao and Shenzhen will be put in relation to one another. Across time (historical travel reports) and media formats (from the veduta, to postcards, guidebooks, and Instagram selfies), images create touristic expectations, which in turn influence the shaping of Venice as a city.
These images-after, as well as de-pictions in the form of photographs or postcards, work their way up into the structural and visual design of Venice; they nest in the bodies of viewers; they continually motivate new places in the world to build a piece of Venice. These reproductions, however, are not simply copies or simulations, but appropriated re-creations. Terms such as construction site, stage, façadism, and ruin, with which Stefanie Bürkle works in her oeuvre (face-facade 1999-2021), play a decisive role in this approach.

The development and realisation of the artistic research and works, as well as a publication and exhibition on the project Imaginations of Venice 2022-2025 by Stefanie Bürkle and her interdisciplinary team is, as a subproject of the CRC 1265 “Re-Figuration of Spaces”, funded by the DFG (German Research Foundation).


(Additional funding needed through an application to the Hauptstadtkulturfonds or the Bundeskulturstiftung):

Exhibition 2024/25 in Berlin and Venice parallel to the art or architecture Biennale: curated group exhibition with works about Venice.

Publication: An exhibition catalog with extended thematic text contributions on the images of Venice, decay and construction sites, ruins, historical photographs, historical and contemporary travel reports, art history research such as on John Ruskin, Resilient City (Protests), (König, Cantz, Lars Müller,.)

Collaboration with institutions in Venice and Berlin: for a larger public and a wider audience, different formats in various collaborations will dock onto the central exhibitions in Berlin and Venice.

Cooperation with universities for summer schools and conferences: The Collaborative Research Center CRC 1265 “Re-Figuration of Spaces” is a network of more than 60 researchers from the Technical University of Berlin, the Humboldt University of Berlin, the Free University of Berlin, the University of Vienna and the Institute for Regional Planning in Erkner, who, in its 15 subprojects, are dedicated to researching the socio-spatial and the digital transformation of urban spaces.

Stefanie Bürkle
Supervision, Concept, Photographies
Janin Walter
Koordination Team, Video, Mappings
Ilkin Evin Akpinar
Tae Woon Hur
Carl Kunz
Image editing, Mappings
Elena Mücke
Image editing, Mappings
Thea von Wedel
Image editing, Mappings
Wilhelm Will
Image editing, Mappings
Carmen Preuß
Project office
Gloria Schock, Benedetta Marie Wenzel, Nicole Pühringer, Gwendolin Ackermann, Susanne Pettersen, Sarah Minino Holldack, Georgios Mavrogiannis, Valentina Maldonado, Lin Ruixiang, Dimitra Gkika, Julia Garcia, Julia Bakucz, Karla Marin, Lotte Arens, Sophia Morana, Elena Armbruster, Dourna Khamsalou, Manu Scuto, Louise Brenner, Laura Lässig, Ervin Muhovic, Md Esfaqur Rahman, Valentin Suhr, Shams Prottoy
Click to see more

Deutsches Studienzentrum in Venedig http://www.dszv.it/de//PD Dr. Marita Liebermann/Petra Schaefer

Deutsches Architekturmuseum https://dam-online.de/


Deutsche Forschungsgesellschaft, SFB1265 www.sfb1265.de

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